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Profana

吉奥乔·阿甘本曾说，世俗化即是将人类领域带往原本只属于神的领域。这种逆向的观念正是Profana灯具系列的设计出发点所在。它以一种模糊而混沌的秩序对巴西的殖民地历史进行了当代化的重释。基于一种微妙的平衡，Profana灯具挑战了拉丁美洲的建筑美学以及宗教融合主义。它所强调的是当今文化正处于剧烈转型期的事实。

According to Giorgio Agamben, to profane is to bring into the human realm that which was only devoted to the gods. This discussion about inversion is the point of departure for Profana, an illumination piece that results from a contemporary rereading of the Brazilian Colonial apparatus, from the order of blurring and from mestizoness. Designed according to a delicate balance, it intends to cause a disruption to Latin American discourses on architecture and religious syncretism, and notes the existence of the cultural drama still in transformation.

Profana com Argola

Profana com Argola旨在唤起人们对于人造事物的关联性及重复性的审视。它包含了Profana中的一些元素，呈现出要从固定点跳脱的姿态。Profana com Argola引发了一种受到严格约束的拓扑学。这种约束体现在灯杆与建筑空间之间，也体现在圆环与灯具的结构之间。从根本上看，它试图展现事物的交汇性：例如功能与文化、纪律与行为，以及神性与世俗的交汇。

Profana com Argola proposes to establish a look at the series and the repetition of artefacts. The piece contains the formal and discursive elements of Profana, retreated from an immobile starting point. Profana com Argola results in a demanding topology, marked by the injunction of limits – between the stem and the architectural space, between the ring and the structure. It is at the vertex of potential encounters that the piece intends to materialize what is, fundamentally, intersectional: between the functional and the cultural, between the disciplines and the bodies, between the sacred and the profane.

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