Sarah Winkler seek out geologically interesting landscapes. It might be a specific rock formation, mountain range or natural wonder. She conceptualize a collection of work by relating the action of painting to the geological process of erosion and formation.
from Sarah Winkler:
I seek out geologically interesting landscapes. It might be a specific rock formation, mountain range or natural wonder. I conceptualize a collection of work by relating the action of painting to the geological process of erosion and formation. The materials I use are themselves mixed with natural minerals such as marble, mica and iron oxide, cementing the narrative connection of the works to their subject. Seasons and dramatic weather in my mountainous Colorado surroundings also affect my creative directions. I seem to get hooked on a color palette for a while and work with it until organically shifting to another area of the spectrum.
Each painting is the final product of an extensive method that begins with sketches and photographs of landscapes I have visited on my walks. These visuals are translated into collages using paper that I have designed using an experimental process of my own making. The collages are then further developed into highly stylized paintings, which are created by applying acrylic paint to large wood panels. Each panel is sanded and treated to achieve a satin sheen, which highlights the multiplicity of textures, layers and spatial depths.
I am fascinated by the environmental factors that shape the natural world, and seek to imitate their destructive and constructive qualities in an artistic technique. I experiment with solvents, paints, carving implements and sanding tools to mimic the kinetic processes of erosion and deposition, as well as the physical forces of wind, water and temperature. By applying paint in this way, I am creating a history of gestures and actions that form into naturalistic abstracted landscapes with painted geological textures.
The work lies at the boundaries of abstraction and realism, modernism and minimalism. The paintings are often described as “Dreamy”as they evoke sensations of fantasy or partial reality. I intended the imagery to be at once familiar, but to carry an air of play and human curiosity about the natural world as if your discovering a place for the first time.
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