The practice of Singaporean visual artist John Clang (b. 1973) often straddles dual realities of global cities, unfettered by confines of time and geography.
A double-sight navigator of a world in constant flux, he absorbs seemingly mundane and banal external stimuli and conveys his internal observations and ruminations through the mediums of photography and film. His approach, reminiscent to a barometer, accords his works a unique position at the confluences of the open-ended and definitive, surreal and factual, personal and universal.
