RSAA / Büro Ziyu Zhuang has published their recent proposal for the Tangen Collection and Sørlandets Kunstmuseum (SKMU), a joint museum to be erected in Kristiansand, Norway.
RSAA/庄子玉工作室发布了他们在竞赛项目Tangen Collection and Sørlandets Kunstmuseum (SKMU)中的最新方案——一个在挪威，克里斯蒂安桑市(Kristiansand)崛起的艺术博物馆综合体。
Following a concept born from the mix of preserving, modifying and adding, a historical grain silo is integrated into the new museum complex. Newly added volumes give distinctive character to the two side of the lengthy silo building.
遵循着保护、更新、加建的概念，首先，一个历史悠久的谷物粮仓被整合到新的博物馆综合体中。然后，在粮仓两侧的新建建筑体量为博物馆带来显著的特色。
A rectangular‘artcube’is featured on the waterside, pushing itself into the water as a visual attraction. It accentuates the point where the waterfront promenade changes from the cultural axis with performance art center and museum to a calmer residential neighborhood.
其中，在水岸一侧，设计师置入了一个长方体的“艺术盒子”，其体量探入水中就是为了起到足够的视觉吸引的作用，同时也强调了滨河步道从艺术表演中心和博物馆所在的“文化走廊”逐渐向平静的居住片区褪去的趋势。
On the landside a lengthy extension of the silo serves as a backbone for the new plaza, that spans between silo, new building and canal.
而在陆地一侧，一条带状的粮仓延伸体量最终界定了新的博物馆广场——它从新建建筑、粮仓最终延伸到河道之上。
The existing silo is transformed through cutting a curved shape out of it, achieving both the goal of creating a sheltered forum for visitors, as well as revealing the inner beauty of the building.
对于原有粮仓的改造，仓体被挖走一块弧状体量，这样既形成了半穹顶状的演讲空间，同时也展示了粮仓内部的建构之美。
From there the visitor follows the former way of the grain: The exhibition loop starts on the top of the building and gradually makes its way downwards, via detour of the new appendix on the eastern side, that is – in stark contrast to the the closed, curved concrete silo – executed as an open box wrapped in industrial glass.
于是，在仓体内部，人们仿佛遵循着之前谷物的踪迹展开游览：参观路线从顶部开始逐渐向下，最终拐入其东部的新建建筑。其工业透明玻璃围合而成的开放感，与粮仓内部幽闭、弧状的混凝土建筑空间形成强烈对比。
The main focal point from afar will be the‘artcube’, that stands as a landmark separated from the coastline.
而与水岸脱离独自探入水面的“艺术盒子”,则毋庸置疑地成为了本建筑从远处观看的聚焦点。
It is composed of two elements, its backbone is the counter shape of the cutout of the silo, housing smaller stages, a cafe and restaurant, as well as a lookout platform. Its skin is executed as a media facade, either appearing translucent as to catch the shadow of its interior, or displaying selected artworks from the Norge Tangen Collection, to conclude the step from ‘private collection’to ‘public art’.
“艺术盒子”由两部分构成：它的核心筒其实是粮仓被挖出来的混凝土仓体体量，服务于一个小型的舞台、咖啡餐厅以及观景平台等功能；它的建筑表皮则成为了展示媒介，有时完全透明，显示了丰富的内部光影效果和艺术活动，有时则用于陈列Norge Tangen所捐赠的艺术精品，从而体现了“艺术品从私人走向大众”的艺术精神。
项目名称： Kunststilo美术博物馆
项目地点： 克里斯蒂安桑市，挪威
项目面积： 10000 m²
建筑面积： 9730 平方米
项目时间： 2016
设计团队： 庄子玉, Fabian Wieser, 戚征东, 刘晓清，范宏宇，柴文璞（实习），张萌（实习）
Project Name: Kunststilo
Project Location: Kristiansand, Norway
Site area: 10000 m²
Floor Area: 9730 m²
Period: 2016
Design Team: Ziyu Zhuang, Fabian Wieser, Zhengdong Qi, Xiaoqing Liu， Hongyu Fan, Wenpu Chai（Intern）, Meng Zhang（Intern）
