一乘空间工作室设计回顾

彼得·卒姆托说过：“氛围属于美学的范畴。”

而美，不是堆砌和妥协。做工作室的设计和做常规项目非常不同的一点是，我们可以进入一种哲学思考的状态，去思考时间，和反思内容，完全沉入去做一个设计，而不太容易会被紧迫的时间打断。

Peter Zumthor has said: atmosphere belongs toThe category of aesthetics.

Aesthetics,is not about awashing of materialism and concession.it’s very different from a regular project ,when we do this project,we were able to condition ourselves into a philosophy state of thinking and rethink,to be engaged in designing,without a interruption of time problem.

设计过程草图|Process sketch

施工过程记录|process of construction

其实我们理解的大部分设计，在最开始，可能都具备这样的野心。想着这么去做：解读完某处场所，介入其中，订出纲要性的用途、意义及目标，起草、筹划、设计出一件作品。看似简单的道理，其实是个曲折旋绕的过程，并非一条笔直的坦途。

在尝试了一些思路后，确定了空间最基本的状态应该是：真实和交流。不需要装饰，需要更多的对话，所以大概需要一个把“结构”裸露出来的空间。

Actually,most of the design start with ambition .unscramble the site, Make an outline of function,significance ,drafting and planing and builting a work towards a target.it’s not a straight road but a The processof twists and turns.

After trying to think in some different way,we reach a consensus that the basic state of the space ought to be:Real and communicative. Remove excess decoration,and bring in more dialogue.so a space that expose structure is needing.

空间结构|spatial organization

建筑 | Architecture

整个场地是在一个甲级写字楼里面，我们想到比较有趣和挑战的一点，就是在室内做出一个建筑空间，建筑性体现在它的立面、取景、节点等细节上的处理上，而不是单纯的有一个门，然后进入室内。空间的逻辑是由外而内在生长，外在的建筑逻辑，和内部功能保持了一致性，并加强了室内外的张力。这是和传统室内设计比较不同的一个切入点。

The site is in a grade A office building,and the highlight and challenge that floated through our mind is how to built a interior space in a architectural way.architects think about the facade |form、landscape and detail. much more than a door linking to theinside part.the logic of space grow from the inner to the outer part. the external logic keep the consistency with the internal functions .and strengthen the tension inbetween the indoor and outdoor.

主入口全景|Main entrance panoramic

入口通高的书墙|The intake book wall

界面 | Interface

空间沿走廊有两个立面，一个立面对应比较私密的功能，所以相对封闭，墙面上留有洞口的设计，和房间内的家具设计相对应。

Along the corridor the whole space has two facades,one relatively closed is private ,there is some openings on the wall according to the furniture inside.

另一个面是主入口，对应人流比较多的走廊，完全打开。门框的设计，和施工方扯皮到最后，改了两次，最终做到4cm宽，入口右侧的台阶设计，结合了完整的落地玻璃，和门框上方的较短的玻璃连通，希望玻璃面尽量完整和连贯。这个台阶设计，除了趣味本身，它起到三个作用：一，是作为展示，可以放几组模型，从走廊看像是隔着橱窗的展品。二，它的宽度，保留了室外的人和室内的人一定的距离感，不至于说太过于暴露和接近。三，它可以在组织活动的时候，成为一个室内空间高差上的观演区。

The other side as the main entrance,facing a aisle that bring peoples is totally opening.the frame of the glass door came to a consultation of 4cm wide with construction party.the steps on the right side of entry is completely match with the full height glazing.the streps ,in addition to the interest of itself, has three purposes: firstly, it is a mini gallery, you can put a few sets of models,which look like The exhibits looking from the corridor across the glass.secondly, its width, retained a distance between the inside and the outside. moreover,it can play a role of a stage to watching when the office hold some activities.

设计讨论区|discussion

最终这个处理，使得空间成为了外部环境的一部分。

Eventually this processing, make the space become a part of the external environment.

模型展示区|model demonstration

剖面分析|section analysis

主入口的高差处理|Multi-Levels-Treatment of main entrance

时间性 | time

我们非常关心细节的处理，虽然这很耗费时间。当功能、空间、形态这些要素合理的结合，并自然的和声音、温度产生关联，建筑就具有时间性。

当我们搬入这里后，可能随着时间，水泥会剥落，玻璃会留下驻足的人的手印，这就是我们最初想要的真实和交流。

现实中的魅力，这也就是我们的工作方式和一乘的空间。

we focus on the details,although it waste alot of time.when function、space、form，all this factor，making a connection with the nature、sound and The temperature,architecture got timeliness.

when we move to here.as time goes by,the cement wall will flake,the glass will have fingerprint,and that is exactly what we want——reality and communication.