全体建筑工作室

Award: Finalist, Italy EXHIB-IT! Competition

Jury: Flaviano Celaschi (UniBo), Odoardo Fioravanti (Odo Fioravanti Design Studio), Matteo Oreste Ingaramo (PoliMi), Alex De Rijke (dRMM), Alessandro Marata (CNAPPC, UniBo), Ippolito Pestellini Laparelli (OMA), etc.

Program: Temporary Installation

Location: Florim Flagship, Milan

Period: 2016

奖项：入围奖, 意大利EXHIB-IT! 国际设计竞赛

评委：弗拉维亚诺. 切拉斯奇(博洛尼亚大学)，奥多亚多. 弗洛曼蒂（意大利工业设计师），马迪奥.英加拉莫（米兰理工），亚历克斯.德.瑞伊凯（dRMM事务所），亚历山大德罗.马拉塔（意大利建筑师协会环境部主席，Arkit事务所），伊波利托. 拉帕莱利(OMA) 等

功能：装置

地点：弗洛瑞旗舰店，米兰，意大利

时间：2016

A dome is built.

     我们建造了一个穹顶。

Dome is the most ideal structure man would ever create. The vaulted space, so basic and bold in its representation, has an aura surpassing the boundaries of physical and spiritual, artificial and nature in a most extreme way. The experience in a dome is a little surreal, far beyond one’s common perceptions. We found it interesting that the aim of the competition is to design an installation for Florim, who has the pursuits to provide modern families with comfort and high quality of lives. Besides, dome embodies the concept of home etymologically. This kind of parallel has resulted in the base of our inspiration.

      穹顶大概是人类所能创造最完美的结构。穹顶，通过一种基础而直接的“拱”的空间表达，以最极致的方式超越了物理与精神。人工与自然的边界。置身穹顶下，似乎有些超现实，这种体验超越物质空间，不能以常规的知觉方式所能理解。而本次竞赛的任务恰是给一个家具制造商设计一个装置，这项有趣的任务引起了我们两方面的联想：一方面业主希望以这个装置体现其为现代家庭提供优质生活的制造者和使命；另一方面，在词源学的角度，拉丁语DUOMO也就是教堂的穹顶，本身就正包含了家的含义。这两方面存在的某种不必要却很紧密的关联，成为可我们设计的基础。

The installation is architecture within architecture. It takes a direct abstraction of a dome in a renaissance church. The wooden columns frame an octagon, and are shaped into a hemisphere from waist to top. Seemingly open from outside, when bend over and enter the interior, you will find yourself become part of the exhibition, like a bird trapped in cage. The body is then embraced in a dome-like space, a microcosmos hidden from the reality world.

         我们提供的装置是一个“建筑里的建筑”，它来自于一个文艺复兴时期教堂穹顶的直接抽象。木头的框架围合了一个八边形，从中部至顶部形成一个半球的空间。在外部看来是一个开敞的结构，而当参观者弯腰进入这个空间内部时，角色从看转换成被看，参观者已经变成了展览的一部分，如同一只笼中之鸟。人的身体被包裹在一个穹顶的空间，拥有一次暂时从外面的现实世界中隐退出来的机会。

To showcase the images, several layers panels extend to the top catching light from a projector. The projections are adapted to different atmospheres, as a painted chapel full of lights. The light and soft interior brings the imagination of natural elements: Clouds, forests or water drops. Nothing is done to remind us the traditional church, the design is identified as something in-between recent and past, an open ended space.

        主办方要求展现的图像，以立体影像的方式被投影在上方层层叠叠的环幕之上，按照不同的气氛需求，调节不同的场景，如同一个充满光线的教堂天顶画。其内部柔和的光线和线条让人联想起自然界里的元素：云朵，森林和雨滴。在设计中，我们并不是强化穹顶的古典气质，而是将其定义为调和传统与现代之间的一种开放空间。