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项目的设计遵循当地建筑规范，尊重周边传统建筑形态和历史文脉，参考了当地住宅标志性的三角形屋顶，并充分考量了建筑的体量和材料因素。同时，烟囱住宅还体现了以使用者的需求为本的住宅改造方式。
The design of the house is primarily based on the rules of local architecture. It respects the morphology of the traditional built context, referring to the prevailing gabled roof type of the house and respecting its volumetric and material parameters. On the other hand the Chimney house marks typological transformation generated by the users’ specificity.
▼ 建筑外观，参考当地传统的坡屋顶形式，与周边建筑体量协调，external view of the building with reference to the traditional gabled roof type, being harmony with the surroundings
项目位于村庄的边界上，与旁边的深色木谷仓关系密切，同时以自身独特的体量特征从周围的本地建筑中脱颖而出，并与附近的16世纪教堂相联系，形成有趣的对话。建筑的外立面延续当地谷仓的传统，采用上油的松木板制成。屋顶特意选择了木制面板，延续了立面的材料。
Positioned on the borderline of the village it clearly relates to the adjacent wooden barn with the dark wooden materiality, but with the new distinctive volumetric identity moves deliberately away from its vernacular neighbour and curiously associates with the nearby 16th century church creating a dialogue between the two. Oiled larch boards completely define the materiality of the outside relating to the traditional finish of the vernacular barn. Deliberate secondary wooden roof cladding provides the continuity of the dark wooden materiality of the facade cladding.
▼ 建筑与教堂产生对话，dialogue with the nearby church
▼ 深色的木制立面与旁边的谷仓相协调，dark wooden facade responds to the adjacent wooden barn
▼ 立面采用深色木板，屋顶与之连续，roof continues the facade with dark wooden cladding
“在烟囱住宅中，人们可以轻易地发现斯洛文尼亚当地富有地域性的现代建筑形式以及建造技艺等，但这些并不是项目的本质。项目最有趣的地方在于它将一个单一的原型要素变成了住宅的主题，并以此影响了其空间概念、认知以及物件的体量联系。” — from Transformed Archetype by Jure Grohar
“In The Chimney House, one could easily find references to the Slovene vernacular and critical regionalist modern architecture, local craftsmanship etc. But these references aren’t as essential, as the most interesting question that poses itself is how a single archetypal architectural element became the central theme of the house and how this influenced the spatial concept, perception and the volumetric articulation of the object. ” — from Transformed Archetype by Jure Grohar
这座乡间住宅的主人为一对夫妇，建筑师在厨房中设置了一个多功能木制火炉，在私密和公共生活中都扮演了重要的角色。位于房间中央的烟囱决定了整个设计的概念以及建筑独特的剖面形式，平面布局便是依此而设。建筑的屋脊被分开，沿房屋的线性体量形成了一道天窗，为所有主要空间提供了充足的顶部采光。
The kitchen, with a multifunctional wood stove, plays the vital role in the private and social life of a couple living in the countryside. Stove’s centrally positioned chimney determines the concept of the house informing the centrally aligned layout of spaces within the specific cross-section of the house. The ridge of the roof is pushed apart creating a continuous skylight running throughout the house’s linear volume and providing top light for all the crucial spaces.
▼ 剖面图，烟囱为中心，两侧地面有高差，section showing the central place of the chimney and difference in elevation
▼ 两侧相通的入口，形成开阔的视野，two entrances facing each other, creating open view to the environment
▼ 住宅中心的烟囱以及由其形成的厨房和餐厅，光线从天窗射入房间，chimney in the center with the kitchen and dining space, light coming in through the skylight
建筑的围护结构为一片宽厚的墙壁，其中整合了储藏空间、厨房和可以居住的凹窗等，阳光通过窗户洒入室内，住户可以从这里欣赏周围景观。交互的室内空间为多种活动提供了便利，材料从触觉上回应住户的需求，划分不同区域。人体可以触及的部分均由涂油的橡木铺装，屋顶的结构则为钢筋混凝土，其上留有木制框架的痕迹，与室内外的木材纹理相统一。
The building’s envelope is developed as a thick wall integrating multiple storage spaces, secondary kitchen, and small ‘inhabitable’ window niches that carefully curate incoming light and expanding views to the surroundings. Interactive capabilities allow for an array of activities. Material definition of the interior responds to haptic abilities of inhabitants: oiled oak is used for all the surfaces that can be reached and touched by the human body, whereas the structure of the roof is in reinforced concrete showing the imprint of the wooden formwork that provides for the continuity of the texture of interior envelope.
▼ 宽厚的围护结构形成凹窗，提供不同的生活空间，thick envelope walls creating window niches, providing different living spaces
▼ 楼梯，可及之处材料均为木材，stair, wood used for the surfaces where people could touch
▼ 卧室，天窗提供充足采光，bedroom with plenty of light from the skylight
▼ 屋顶采用混凝土，木框架留下的纹理与木材相呼应，concrete roof with imprint of wooden framework, corresponding to the wood material
“建筑中的建筑部件和技术部件往往是分离的，其技术部分总会被看成是一种陈腐的需要，甚至被当做表达“干净”的建筑意图的障碍。在这个项目中，“技术”变成了一项挑战，是项目的最为重要的根基之一。历史上，烟囱与火炉是建筑中最早出现的技术元素，为人们带来温暖、光和加热的食物，成为了家的中心。从古老的观点上来讲，烟囱和火炉促成了厨房与餐厅，从而形成了主要的居住空间……可以说住宅的原型是由烟囱的外轮廓变化而出的。” — from Transformed Archetype by Jure Grohar
“Architecture is often ‘separated’ into architectural and technical components, the technical aspect of which is usually understood as a banal necessity, or even an obstacle in expressing a ‘clean’ architectural idea. In this case the ‘technical’ aspect becomes the challenge and one of the most important bases of the project. Historically, the chimney is one of the first technological elements which appeared in architecture, along with the fireplace – the source of warmth, light and food preparation became the centre of the home. The chimney with its ‘fireplace’ gives meaning, in an archaic way, to the kitchen and dining area – the central dwelling space. … The volume of the house is, in a way, of an archetypal shape, transformed by the outline of the chimney.” — from Transformed Archetype by Jure Grohar
当人们的目光从室内的装饰材料向上移到屋脊的天窗时，会看到时刻都在变化的天空，这美丽的景色已经成为了日常生活的一部分。
Rising the gaze, starting from the material inner envelope and moving towards the zenith, one can discover and observe ever changing condition of the sky that becomes part of everyday life in the house.
▼ 通过天窗看到天空，view of the changing sky through the skylight
▼ 总平面图，site plan
▼ 一层平面图，first floor plan
▼ 地下平面图，basement plan
▼ 屋顶平面图，roof plan
▼ 立面图，elevations
▼ 剖面图，section
▼ 轴测图，axonometric drawing
project name: Chimney House
location: Logatec, Slovenia
architect: dekleva gregorič architects
date: 2012-2016
client: Andrej Dolenc
project name: Chimney House
subtitle: chimney as an element of typological transformation
location: Logatec, Slovenia
architectural office: dekleva gregorič architects
project team: Aljoša Dekleva u.d.i.a., M.Arch. (AA Dist); Tina Gregorič u.d.i.a., M.Arch.
(AA Dist); Vid Zabel stud.arch., Primož Boršič m.i.a
client: Andrej Dolenc
site area: 830 m2
build up area: 145 m2
net area: 205 m2 (106 m2 ground floor + 99 m2 basement)
project date: 2012
completion date: 2016
photos: Flavio Coddou
Drawings: dekleva gregorič architects
English text: dekleva gregorič architects
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