TransBorda装置,巴西 / Estúdio Chão

手脚并用,跨越边界

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感谢 Estúdio Chão 予gooood分享以下内容。
Appreciation towards Estúdio Chão for providing the following description:

如果没有墙壁的存在会如何?如果我们的家门总是敞开,城市也完全由畅通无阻、相互连接的开放空间构成会如何?我们是否可以不接受那种想要共同生活,就必须被困在墙后以逃避来自他人的“威胁”的想法?日常暴力是城市生活中最艰难的一个部分。正如巴西建筑师Angelo Bucci所言,我们通过建造墙壁来实现自我保护,墙壁体现着“我们最深的恐惧”。这种代表恐惧的结构遍布每个角落,并且呈现出极其多样的形式,有轻盈缥缈的,也有坚硬牢固的,有水晶般透明的,也有厚重无比的。

对于孩子们而言,想象力能够使他们从墙壁中看见分隔之外的意义,从而将墙壁视为一种需要越过的、在其身后隐藏着未知与惊喜以及探索机会的存在。想象力能够带来挑战现实的力量。

▼TransBorda装置概览,TransBorda installation ©Renato Mangolin

What if the places had no walls? What if our home was always open? What if our city were made only of unimpeded, unrestricted, interconnected open spaces? What if we did not accept the idea that in order to live together we would have to be trapped behind walls and avoid the danger we believe we live in, the frightening threat of the other?   The daily violence is the hardest part of life in the city. To protect ourselves, we demand walls that crystallize “our deepest fears,” as the Brazilian architect Angelo Bucci says. This collective construction of fear invades all places and assumes the most diverse forms, from the most ethereal to the most solid, from the most crystalline to the most opaque.

To the child, imagination allows one to see in the wall something beyond its condition of division. It allows you to see it as something to be crossed, something behind which dwells the unknown, the surprise, a new place to discover. Imagination has the power to challenge reality.

▼装置旨在改变博物馆底层柱廊的空间体验,the design transformed the act of occupying the pilotis of the museum in a gesture of crossing of walls and activation of the public space ©Renato Mangolin

在里约艺术博物馆(MAR)的邀请下, Estúdio Chão在“艺术,民主与乌托邦”展览期间设计了一个用于举办公共活动、辩论和表演的场地,旨在利用公共空间来探索博物馆的边界。博物馆的入口在过去是一个带顶户外广场,后来被玻璃墙围合起来,使人难以感受到亲切和被邀请的感觉。为此,设计团队引入了一组露天看台和平台,使其以穿越墙壁和激活公共空间的方式来改变博物馆底层柱廊的空间体验。

▼设计示意图,diagram ©
Estúdio Chão

Invited by the Museum of Art of Rio(MAR) to create an arena for the public programming, debates and performances during the period of the exhibition Art, Democracy and Utopia, we set ourselves to provoke the very limits of the museum with the public space. The entrance of the museum, in the past an open and covered plaza, is now inclosed in a glass wall where people feel little invited to occupy the museum.  We imagined a set of bleachers and platforms that transformed the act of occupying the pilotis of the museum in a gesture of crossing of walls and activation of the public space.

▼露天看台,bleachers ©Renato Mangolin

TransBorda(在葡萄牙语中是“溢出”的意思)是一个富有诗意的装置,旨在激活现实和引发想象,鼓励不同体型和年龄的人们手脚并用地跨越博物馆柱廊外部的玻璃墙壁。这些钢制的结构像儿童游乐场中的设施(如攀爬架和滑梯)一样吸引着人们从上方跨越,使人们在游戏的过程中突破一系列固有界限,并以此来鼓励公众使用这些封闭的空间。

TransBorda (which in portuguese means the same as overflow) acts as a poetic device to provoke reality and make a call to the imagination, putting bodies of all shapes and ages in movement on feet and hands to cross the glass wall of the pilotis of the Museum of Art of Rio. These steel structures invites people to cross over them, challenging them with structures that resemble children`s playgrounds such as climbers and slides.  An invitation for people to trespass these known boundaries while having fun, engaging the public occupation of these enclosed spaces.

▼装置鼓励人们手脚并用地跨越玻璃墙壁,the installation put bodies of all shapes and ages in movement on feet and hands to cross the glass wall ©Renato Mangolin

▼攀爬墙和滑梯,climbers and slides ©Renato Mangolin

TransBorda是一次行动上的号召:超越边界!它架起了桥梁并消除了阻碍,甚至打破了我们习以为常的玻璃墙壁。当我们努力推翻这些墙的时候,也许孩子们的想象力能够让我们冲破现实带来的种种负担。

TransBorda is a call to action: overflow! It raises bridges and undoes barriers, even for a moment, the glass walls we have learned to accept. As we struggle to overthrow these walls, perhaps the children’s imagination can allows us to suspend the gravity of the walls that shape our though realities.

▼装置细部,detailed view ©Renato Mangolin

该装置从2018年9月持续至2019年五月,在当地街区成为了儿童和游客们常常光顾的地点,同时也是博物馆自身在社区和城市中进行战略性再定位的一项重要举措。设计团队认为,这种具有挑衅精神的临时性介入,实际上是将公共空间以及人类在其中的相遇当做一种艺术行为去看待,这会帮助建筑研究的领域扩展至寻常的边界之外。

The installation occurred between September 2018 to May 2019 and became a widely-held attraction for neighborhood children and visitors and was an important initiative within a strategic repositioning of the museum in the community and city undertaken by its new management, and that has resulted in a significant increase of public. We believe that such projects, in which the provocative ephemerality of the intervention, the attention to public space as an artistic gesture and the protagonism of the human encounters on the architectural form by itself, helps expand the field of architecture research beyond its usual limits.

▼超越边界,overflow ©Renato Mangolin

▼公共活动,public activities ©
Daniela Paoliello

▼剖面图,sections ©
Estúdio Chão

Credits
Comission: Museu de Arte do Rio (MAR museum), Rio de Janeiro, Brazil

Date
:2018


Design Team
: Estúdio Chão (www.estudiochao.com) @estudiochao

Adriano Carneiro de Mendonça, 
Antonio Pedro Coutinho

,
Museum Coordination
: Eleonora Santa Rosa (Executive Diretor MAR museum)


Structural Engeneering: 
Limonge de Almeida


Constructors
:Dorival Dantas (Serralheria Conservolkis)

João Luiz Sarti (Serralheria São Jorge)
Carlos Eduardo Ribeiro do Nascimento (Indio)

Photography
:Renato Mangolin, 
Daniela Paoliello

More:Estúdio Chão

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