感谢 成都万谦集环境艺术设计 予gooood分享以下内容。
Appreciations towards Chengdu Wan Qian Ji Environmental Art and Design for providing the following description:
一饮而尽 | Drink all
当你走进这里，所有的梦与想，都被允许，欢乐或忧愁，我们一饮而尽。这次的项目是以正宗意大利菜和产自威尼斯的Prosecco起泡酒为卖点的时尚酒馆——“ La Goccia ”，La Goccia为意大利语“一饮而尽”的意思。整个项目设计师通过观感、触觉、听觉及消费感受向消费者传达“新式小酒文化”、“自由的混搭感”以及“自由搭随便耍”等耍家文化概念来凸显成都本土与国际相融的城市特点。
When you walk into this pub, all your dreams and thoughts are allowed, and your joy or sorrow will be exhausted. This project is a fashion pub called “La Goccia” featuredwith authentic Italian dishes and Prosecco sparkling wines from Venice. La Goccia means “drink” in Italian. For the whole project, the designer conveys the concept of “new-style small wine culture”, “free mix and match” and “freedom to play casually” to the consumers through the perception, touch, hearing and consumption feelings to highlight that Chengdu has integrated into internationality.
Located in the Taikooli business district of Chengdu, close to Quantum Optoelectronics and Skateboard Plaza, this project is located in a young, fashionable and vibrant community activity center. There are many similar cases in this area, so how to establish your own unique IP? The designer tried to start from the origins betwen Venice and Chengdu. When Marco Polo saw the prosperous waters scene of Chengdu in the 13th century, he thought he saw “Venice of the East.” This can be accurately reflected from the place name alone. “Huayang Guozhi” once recorded: “Sichua have many bridges, so the place in Sichua are often named after multiple bridges.
▼店铺外观，exterior view of the store
▼入口处的狮头是威尼斯的标志，the lion is the symbol of Venice
Therefore, the designer searched for resonance points from Eastern and the Western bridges with different characteristics and extracted the most basic formation language – “arch”. Whether the Vecchio, or the Rialto in Venice, or the Lugou Bridge in China, the “arch” is the common feature. In addition, the project also uses a lot of elements from Venice to add features to the store. The lion is the symbol of Venice. The designer chooses the artistic device to express it in an abstract way. The lion at the entrance is a sliced way to insert the light guide plate into the wall to form an artistic device.
▼入口吧台及散座区，scattered dinning area and the bar
▼散座区，scattered dinning area
▼入口吧台，the bar at the entrance
▼中岛吧台，the Nakajima bar
“造”塔 | “Building” tower
The entire project area is about 380m2, and the store has two floors. The first floor is dominated by Italian food, while second first floor focuses on the bar. With the original building space, the plane on the first floor has shallow features. The designer tried to put the bar in the middle, and he found that the pattern of Nakajima could not be realized. In the entanglement, he found that there is a space available behind the south side of the outer wall, so the designer moved the outer wall more than two meters to the south, a increased area of twenty square meters occurred, the layout of the Nakajima bar was also established.
▼移动南侧外墙形成中岛吧台以及南侧散座区，moved the outer wall to the south and increased area of twenty square meters
▼座椅及吊灯细部，details of the furniture
The north side is the outer swing area. In order to make the space more layered, the designer enlarges the opening surface on the north side as much as possible, and he also blurs the interface between indoor and outdoor. Coupled with the extended ground material integration, the outer pendulum area with more than three meters in length is also included in the integrated spatial visual experience. As a result, the space extension that was originally cramped has been greatly improved. In order to break the limitation in the vertical space, the designer excavated the two-story floor to form a patio, and moved the wine rack behind the bar directly to the second floor, forming a four-story, seven-meter-high wine tower. In the planar layout, the wine tower is a closed structure consisting of two “L” shapes and a middle “T” shape. Therefore, the interior space has formed three high-rise towers with a sense of three-dimensionality.
▼二层卡座，seating area at the 2nd floor
▼外摆区，the outer seating area
“借”竹 | “Introducing” bamboo
Bamboo is a specialty of Sichuan, and introducing scenery is a common method used in Chinese classical gardens. The introducing scenery and bamboo seem to have little to do with Italian restaurants, but unexpected surprises are always discovered by people who are careful. When you pick up the glass, you can respect the sun or the moonlight. The bamboo shadow outside the window is not only gentle to you, but also the design difference between East and West. However, the design is not limited to indoors, which is closely related to the external environment. The designer found that there is a dense bamboo forest in the south side of the bar . For the designer,it is almost a cherished treasure. So the designer left a row of high windows on the wall outside the south side, and he listened to the lighting consultant to add a row of light sources under the bamboo. Therefore, inspiration becomes a reality. The generated bamboo shadows makes the space become more dynamic and full of vitality, forming the sixth landscape on the axis of the space,which is the last landscape.
▼南侧外扩的墙体上留了一排高窗，在竹下加一排光源，a row of high windows on the wall outside the south side, and a row of light sources under the bamboo
▼一层平面图，first floor plan
▼二层平面图，second floor plan
项目地点：中国 成都 太古里
主要材料：水磨石 黄铜 镜面不锈钢 艺术涂料
Project name: LA GOCCIA
Design company: Chengdu Wanqianji Environmental Art Design Co., Ltd.
Space design: Wang Hong, Guo Nan
Soft design: Xu Dongmei
Lighting design: Artemis, Ou Mo Lighting
Project design time: July 2018
Project completion time: June 2019
Project location: Taigu Li, Chengdu, China
Project area: 380m2
Main materials: terrazzo, brass, mirror stainless steel, art paint
Space photography: Hechuan, a space photographer of Xingzai construction co., ltd.