由Mike Szivos领导的SOFTlab工作室近日于曼谷市中心ICONSIAM（暹罗天地）的七层露台上创作了一个新的镜面装置“Infinity Field”。这是SOFTlab的第一个永久性互动装置，一系列反射柱会在游客穿越其中时做出反应。
SOFTlab, an NYC-based studio led by Mike Szivos, has created Infinity Field, a new installation of mirrored chambers on the seventh-floor terrace of ICONSIAM, a mixed-use development on the banks of the Chao Phraya River in downtown Bangkok. The project is SOFTlab’s first permanent interactive installation, whose reflective columns respond to visitors as they pass through it.
Infinity Field consists of fifty vertical chambers clad in one-way mirrored glass and embedded with sound responsive LED lights. Each measures 6-feet tall, 2-feet wide, and 1-foot deep. Arranged in a pattern that allows visitors to weave through and around them, the columns collectively evoke trees scattered through a forest.
▼装置鸟瞰，aerial view ©ICONSIAM
▼镜面菱形柱子，the mirrored chambers ©ICONSIAM
白天，自然光比立柱中的LED灯更亮，这时候玻璃就成了一面镜子。游客和他们周围的环境，包括高楼林立的城市天际线都将在其表面上反射出来，并在镜面立柱构成的场域之间变化和弹跳，成为“mise en abyme”（镜像迷宫）里的一部分。无限且持续变化的反射让这些镜面产生德罗斯特效应一般的奇妙感觉。
▼视频：白天的装置，video: Infinity Field During the day ©SOFTlab
During the day, when natural light is brighter than the columns’ internal LEDs, the glass acts as a mirror. Visitors and the surrounding environment, including the highrise-studded Bangkok skyline, are reflected in the surfaces. Depending on a passerby’s location, reflections bounce between the field of mirrored chambers. As visitors approach the inside of the mirrored landscape, they become part of a mise en abyme (“placed into abyss”) or image within an image. Called the Droste effect, the mirrors produce an ever-changing and infinite reflection.
▼视频：人与装置的交互，the interactive experience ©SOFTlab
At night, the mirrored chambers are lit from within by LEDs that respond to sound, whether it is music piped onto the terrace or the voices and steps of visitors. The lights are activated by sound in a variety of animated behaviors including a random matrix of light to a large light pulse that extends through the environment. The ambient state of the light field resembles a subtle wave, evoking the Chao Phraya River that passes through Bangkok directly in front of the terrace. When the LEDs are activated, the one-way mirrored columns transform into infinity boxes that reflect their light patterns countless times, deep into the core of each chamber.
▼视频：灯光场域，video: the light field ©SOFTlab
The diamond-shaped chambers of Infinity Field follow the tile pattern of the terrace plaza and produce an immersive environment that remixes sound and light with the movement of visitors and the backdrop of the Bangkok skyline. The light itself emits a subtle color spectrum that is sampled from a typical Bangkok sunset, which further blends the installation with the Bangkok skyline beyond. “At night, the vertical repetition of the chambers and the reflections of the skyline gives the impression that you are walking through the city at a strange scale, while surrounding sound is given a material quality through light and the oscillation of the glass surfaces between reflective and transparent,” says Szivos. “What is exciting to us is that we aren’t simply using lights, but lights along with a dynamic material to achieve something that is more spatial,” Szivos continues.
Infinity Field是在SOFTlab过去设计的一些临时感应式装置的基础上产生，例如纽约东河岸的“Nautilus”和弗吉尼亚亚历山大的“Mirror Mirror”等。Infinity Field是SOFTlab完成的第一个永久互动装置，而完成互动所需的软件定制则是设计中最具决定性的部分。“我们在做非互动作品时就完成了大量的软件定制和编程，因此这种向交互式项目的过渡可以说是非常自然的结果，这与我们工作室一直致力于以前所未有的方式来利用技术的做法是相契合的。”
Infinity Field builds on past temporary responsive installations designed by SOFTlab, such as Nautilus, installed on the banks of the East River in New York City, and Mirror Mirror in Alexandria, Virginia. It is the first permanent interactive installation realized by the New York-based studio. The software customization required for interactive work is a defining quality of SOFTlab’s overall creative process. “We do a lot of software customization and programming for our non-interactive work, so the transition to developing physically interactive projects came about naturally,” says Szvios. “Our interactive work has developed coincidentally because of the studio’s interest in leveraging technology in new and unexpected ways.”
For Infinity Field, SOFTlab used standard programmable LEDs which were programmed in New York, while the mirrored chambers themselves were fabricated in Bangkok. Fabrication and installation challenges involved the glass detailing and wiring the chambers individually, below the tiled surface of the plaza. “It was a big challenge making sure everything was specified for outdoor conditions,” says Szivos. “We are always exploring how our work can engage with the public, whether it is through contextual framing, spatial relationships, or material.”
▼视频：整体鸟瞰，video: aerial view ©SOFTlab