The series seek to establish a metaphor between human oblivion and embarrassment, or even the impossibility to see the path that lies ahead. The memory heading to oblivion.
The essay came from the idea that Photography is a selection of what will become visible and internalised and what will become invisible and forgotten. Hence, memory and oblivion are intertwined to the act of taking a picture, in which, by dealing with what’s registered and what’s hidden, will always be an incomplete clipping of time. A still cut of the past which allows its partial and selective memory.