No Fear of Glass by Studio Sabine Marcelis

The edge runs out of flexibility

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由设计师Sabine Marcelis创作的“无惧玻璃”艺术装置在密斯·凡德罗基金会与Side Gallery的支持下,于近日在密斯·凡德罗展馆展出。这一系列作品完美平衡了密斯·凡德罗基金会提出的“切勿使用过多玻璃”的要求,以及设计师Sabine Marcelis本身将玻璃作为主要创意元素的原则。

The Fundació Mies van der Rohe and Side Gallery present the intervention No Fear of Glass by the designer Sabine Marcelis in the Mies van der Rohe Pavilion. No Fear of Glass seeks the contrast between the request made to Mies van der Rohe to “not use too much glass” in the German Pavilion of 1929, with the creative proposal of Sabine Marcelis herself, where glass is the key element, pushing the limits of the material to its end.

展品似乎是从建筑本身中生长出来的。两个大型躺椅状装置的底座似乎是通过石灰华地板延伸而来,被一块就像从墙壁上拉出的单块弯曲玻璃薄片切割。这两种材料结合在一起,形成了具有雕塑感的功能性家具。

The exhibited pieces seem to be grown and extruded from the architecture itself; two large chaise longues which are pulled up from the ground by extending the travertine floor to form a base are sliced by a singular sheet of curved glass which is seemingly pulled from the walls. The two materials meet to become sculptural yet functional furniture pieces.

设计师不仅用坚固的建筑材料挤压成新的作品,还将自然元素融入展馆中。在户外水池,一个弯曲的玻璃喷泉似乎正在将水从地面引向半空又回落到池中。

Not only the solid architectural materials are extruded to become new objects however, also the natural elements which are part of the pavilion’s design. In the water pond outside, a curved glass fountain seems to be bending the water upwards from the ground, and letting it spill over and back down.

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Mies van der Rohe and Lilly Reich used the materials to test their design ideals, Marcelis uses the experimentation of materials and production to create new and surprising applications that dialogue with the materiality and shapes of the Pavilion.

Eight chrome columns provide the structural support for the roof of the pavilion. Marcelis introduces a ninth mirrored-glass column which functions as a light and is placed in line with the structural columns, blending in seamlessly with the architecture, both in form and materiality.

“Sabine Marcelis meets Mies Van Der Rohe in one of his most iconic and exemplary spaces. She has looked at the Barcelona Pavilion’s materials – glass, travertine and chrome – with intelligence, to design a series of new pieces that seem to emerge from the architecture itself: two chaise longues, a fountain and two pillar lights. These are not just extrusions of existing elements; they rather act as subtle agitations, interfering gently with the cartesian order of the Pavilion. ”

“No Fear of Glass” is not just a solo show, it is a hymn to the infinite liberating possibilities that modernism still has to offer and that Sabine Marcelis has unlocked vividly in front of our own eyes.” – Ippolito Pestellini, partner OMA/AMO

“The Barcelona Pavilion by Mies van der Rohe with Lilly Reich, embodies the spirit of twentieth-century Modern architecture: built by the Germans in 1929, it is at the same time a powerful masterpiece and a difficult space to confront, but certainly not for a designer of Marcelis’ temper. Her magical mix of audacity, self control and steadiness is infused with an instinctive talent: aware of the challenging task, Sabine Marcelis treated this historical jewel with white gloves, establishing a dialogue by listening to the building itself ”. – Maria Cristina Didero, independent curator

Photography:©José Hevia 

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