‘Malta I’ was commissioned by Heineken. Giving me total creative freedom, the company asked me to develop a piece for them that had a relation with the firm. Following three months of research and experimentation, I designed and built this conceptual piece that embodies a statement on the use of resources and is based on the brewery’s relevant efforts to reduce their CO2 emissions during their beer production and distribution chain.
▼产品外观，product appearance ©Alberto Santomé
“Malta I”是一款置物台，主要由啤酒生产过程中废弃的大麦制成。在结束增加啤酒口味的使命后，大麦麦芽被生产者从酒液中移除，成为一种副产物。在“Malta I”中，这种废物在新的功能中获得新生。设计师将麦芽与水泥混合，形成了一种无机-有机的复合物，比普通的水泥更加轻便强韧。
‘Malta I’ is a pedestal (plinth/column/totem/altar) made with barley waste from the beer brewing process as its main component. After having brought the flavour to the drink, the barley malt is then removed from the liquid, becoming a residue. In ‘Malta I’ this waste is given a new life and function. The waste is bound with cement, generating an inorganic-organic composite, lighter and with better capacities than normal cement.
▼复合物生产过程，process of producing the composite of barley and cement ©Omayra Maymó
In the same way as rice has been traditionally used in ancient China to improve the quality of their mortars, the benefits of using organic elements such as hemp or rice husks in construction materials are being widely studied. Among other improvements such as higher thermal insulation and strength, these new formulas help reduce the large carbon emission produced by traditional cement manufacturing.
▼最终生产出的无机-有机复合物砖块，block composed of inorganic-organic composite ©Alberto Santomé
The outcome, a set of modular blocks made with this barley-cement composite, can be used to create multiple configurations. Thus, the work is called ‘Malta I’ as an infinite number of different Malta arrangements could potentially be created. In this case, the composite blocks are combined with layers of bronze glass to form a stacked pedestal, seeking a contrast between the visual heaviness of the blocks and the optical lightness of the glass sheets. The result is a composition in which the formal simplicity hands over the prominence to the materiality and contrast between the elements.
the pedestal is a combination of modular blocks and bronze glass
contrast between the materials of blocks and glass
use of the pedestal, contrast between inorganic and organic
Design: Omayra Maymó
Photograph: Alberto Santomé