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Concentrico是Logroño国际建筑与设计节，它是对城市环境和城市的一种反思。今年的设计节称为Concentrico 04，它将于2018年4月27日至5月1日举行。这个节日邀请人们通过装置、展览、讨论、活动和表演来探索这个城市，在不同的地方、广场、街道、梯田和隐藏的空间之间建立联系，而这些地方通常都不会被人们注意到。在这次的设计节中汇集了由14个国家和国际建筑师和设计师组成的团队，他们正在试验新的环境设计领域。这就建立了城市、文化遗产和当代建筑之间的对话，使市民能够在所有这些方面进行反思。

Concéntrico is the Logroño International Festival of Architecture and Design, a reflection on the urban environment and the city. This year’s edition, Concéntrico 04, takes place from 27 April to 1 May 2018. The Festival invites you to explore the city through installations, exhibitions, discussions, activities and performances, creating a connection between places, squares, streets, terraces and hidden spaces that usually go unnoticed. The latest edition of the festival brings together installations created by 14 teams of national and international architects and designers, experimenting with new fields of environmental design. This establishes a dialogue between the city, its heritage, and contemporary architecture, enabling citizens to reflect on all these areas.

▼作品之一，RINGdeLUXE，利用装置和城市元素进行互动；RINGdeLUXE，one of the works that intervene with urban elements

RINGdeLUXE by Plastique Fantastique

Plastic Fantastique是一个展示临时建筑的平台，它向人们展现着城市环境的各种可能性。该平台于1999年在柏林建立，它受到了独特的环境的影响，使城市成为一个临时空间的实验室，并专门为临时和短暂的活动创造了可替代的、可适应的、低耗能的空间。

Plastique Fantastique is a platform for temporary architecture, which samples the performative possibilities of urban environments. Established in Berlin in 1999, Plastique Fantastique has been influenced by the unique circumstances that made the city a laboratory for temporary spaces and has specialized in creating pneumatic installations as alternative, adaptable, low energy spaces for temporary and ephemeral activities.

▼充气环的巨大尺寸让人们对建筑尺寸有了全新的认识，the large size of the ring reminds people of the architectural scale

设计中的项目多半有着透明、质量较轻和移动的外壳结构，与激活、创建、共享和转换公共空间相关联，并让公民参与到创意过程当中。它们在许多方面都使用了最简单的结构：有的使用了一种分离但又相连的皮肤，有的是气动建筑同时具有颠覆性和适应性，有的欢迎转瞬即逝的活动和自由的实验。它们共同给城市注入新的活力，让无形的东西变得可见。在节日期间，RINGdeLUXE将会环抱里奥哈诺斯总部。这是一个令人着迷的社区项目：并不是只有金子才会发光！

The transparent, lightweight and mobile shell structures relate to the notion of activating, creating, sharing and transforming public space and involving citizens in creative processes. They are in many ways the simplest of structures – a skin that separates but also connects. Pneumatic architecture is at the same time subversive and adaptable, welcoming fleeting activities and free experiments, breathing new life into the city and making the invisible visible. During the festival RINGdeLUXE embraces the Instituto Estudios Riojanos headquarters – a gorgeous project for a glamorous neighborhood! It is not gold all that glitters – Plastique Fantastique!

▼充气环的安装过程也充满趣味，the installation of the ring is also much fun

La chabola by Jorge Penadés

La chabola是一个用胶带做成的实验性建构系统。项目简介里是这么描述的：这是一个在公共空间内用20个标准木板做成的装置，要尽可能减少对给定材料的干预。

La chabola is an architectural exercise based on an experimental constructive system made out of tape. In response to the brief: an installation in a public space with 20 standard wooden boards, the objective was to make the minimum intervention possible on the given material.

▼装置的造型与传统庭院空间形成对比，the installation creates a contrast with the traditional courtyard space

设计灵感来自物理治疗师和他们使用针对人体肌肉使用运动机能学胶带。设计者着重研究将这个知识转用到建筑语境中去，最终得到一种连接不同面板的临时性构造方法。设计师对于将两个不同却相互重叠的精确连接点很感兴趣，其结果是一个临时搭建的棚子空间，它超越了学科，产生了一个与任何现有现象无关的自主体系。

Inspired by physiotherapists and how they use kinesiology tape in  human muscles, we studied how this knowledge could be translated and implemented into an architectural context, resulting in a temporary method of connecting different panels together. Interested in this precise point where two very different worlds can overlap, this project propose a strabic approach to architecture; the outcome is an improvised shantyesque space that gets through and overflows the discipline, generating an anarchic vocabulary disconnected from any preexisting reference.

▼装置连接的灵感来源于物理治疗师和他们使用针对人体肌肉使用运动机能学胶带，the connection system is inspired by physiotherapists and how they use kinesiology tape in  human muscles

Otravisión by Davide Marchetti con Noumena

“Otravisión”向路人提供了一个从全新的、不可预测的角度来观察空间。除了提供一个新视角，该装置还提醒着人们洛格罗诺作为一个坚固城市的历史。立面的开口和上面的装饰物借鉴了历史上的几何图形，设计者将它们转化为一种雕塑式的图样，调节进入的光线，同时内部的游客可以看到广场。

“Otravisión” is an intervention that aims to celebrate the plaza by providing passers-by with the opportunity to see the space from an entirely new and unpredicted point of view. Beyond simply providing a new point of view, the tower pavilion recalls notions of Logroño’s history as a fortified city through its form. Openings and decorations in the facade take reference from historic geometries, translating them into a sculptural pattern that modulates the light streaming in, while also letting the visitor look out into the plaza as they are inside.

▼“Otravisión”向路人提供了一个从全新的、不可预测的角度来观察空间，“Otravisión” is an intervention that aims to celebrate the plaza by providing passers-by with the opportunity to see the space from an entirely new and unpredicted point of view

Lantern by Mjölk

圣安娜广场是一个复杂的地方，四周包围着新建筑和一堵漂亮的由石头建成的教堂墙。这里放置着许多城市家具，如长椅、儿童游乐场、垃圾桶和灯。所有的这一切都使得在干预现有物件的同时又能使其融入环境中成为一件困难的事情。设计师选择灯具（或者说是灯笼，因为它们看起来有点历史）作为装置最有趣的部分。

Plaza de Santa Ana is a tricky place surrounded by new buildings and one beautiful stone church wall. There are many pieces of urban equipment such as benches, children playgrounds, trash cans and lamps. All this makes it difficult to intervene with some object that would fit in the environment. We chose the lamps (or rather lanterns because those are bit historical looking) as the most interesting piece to use for the installation.

▼“灯笼”装置一览，overview of Lantern

黄昏时分，灯光开始照耀，广场气氛开始改变。黑暗中隐藏着细节，穿越广场而过的人们变成一个个剪影，颜色暗去。这是装置开始工作的时刻。它围绕着一盏灯，创造独特的会面空间。这个装置非常微妙，缠绕在灯周围，像蜘蛛网一样投射出诡异的阴影。世界上共有无数的灯，在城市洛格罗诺有很多灯，圣塔那广场上有很多灯，确切地说是六盏，但这个装置给了人们一种特殊的感觉。

During twilight when the lamps start to shine, atmosphere of the plaza will change. Darkness hides the details and people passing the plaza change to silhouettes, colours will dim. That is the moment when our installation starts to work. It surrounds one of the lamps and creates unique meeting space. The installation is very subtle it winds up around the lantern as a spider web casting weird shadows. There are myriads of lamps around the world and there are many lamps in city Logroño there are plenty Lamps on Plaza de Santa Ana exactly it is six, but it gives us sense to make one of them special.

▼这个装置非常微妙，缠绕在灯周围，像蜘蛛网一样投射出诡异的阴影；the installation is very subtle it winds up around the lantern as a spider web casting weird shadows

Reflection by Collectif Parenthèse

修道院的历史反映在各种建筑风格的不断积累中。设计师建议利用一套插入到庭院彩色玻璃窗的框架中的反射元素来展示建造中的每一个细节，从而放大圣玛丽亚·德·帕拉西奥教堂的建筑。飞檐、模具、涂料、圆柱、开口、天空和自然，为游客提供了一个建筑万花筒，根据位置和阳光的不同，可以产生无限的碎片组合。

The history of the cloister is reflected in an accumulation of various architectural styles. We propose to magnify the architecture of the Santa Maria de Palacio church by displaying each detail of the construction through a set of reflective elements to be inserted into the frames of the stained glass windows of the courtyard. Cornices, mouldings, coatings, columns, openings, the sky, and nature, offer up to visitors an architectural kaleidoscope that produces infinite combinations of fragments, depending on location and the light of the sun.

▼装置与历史建筑形成强烈的视觉对比，the installation forms a strong visual constrast with its historic surroundings

▼装置细节，detail of the installation

La Plaza by Lucas Seré Paltzer and Sebastián Andrés Podestá

在圣巴托洛姆广场，一个简单的装置将现有的空间集合起来，并要求沉思，反思。设计师将广场上的长凳移除，取而代之的是两个由水镜连接的混凝土体块，作为两个休息的场所。这一组元素代表着人们通过可见之物与彼此来提醒着自身的存在、观察与连接。

In Plaza de San Bartolomé, a simple intervention brings together the existing space and calls for contemplation, reflection. Removing the benches from the square, we offer two resting points at either end, two concrete blocks connected by a mirror of water. A set of element that proposes we exist, observe, connect with the visible and with each other.

▼La Plaza一览，overview of La Plaza

▼设计师将广场上的长凳移除，取而代之的是两个由水镜连接的混凝土体块；removing the benches from the square, we offer two resting points at either end, two concrete blocks connected by a mirror of water

这种情况间接地表明，不同的方法将带着你去不同的地方。去到边界分解的地方；去到运河、过去和起源之地；去到历史悠久的城市遗迹；去到人类的联系。当人们沾湿双脚，人们彼此融合，彼此平等：因为所有的脚印都会在石板上变干，消失。

The situation suggests but does not direct – each approach will take you to different places; to the dissolution of boundaries; to canals, the past and the origin; to the preservation of historic urban heritage; to human connections. By getting our feet wet we integrate with one another, we are equal: all footprints dry on the stone floor.

▼装置中倒映着城市，the city imprints in the installation

Glimpse by Fernando Cruzado, Julia Díaz, Francisco Javier Fernández, Ane Villaverde

当人们漫步在La Rioja的乡村，会意识到大地和时间，并提醒着他们找到自我之处。在绵延起伏的平原上有可能会看到地平线，与远处的山脉相会，步行者们享受着绵延而广阔的风景。Viña Lanciano位于埃布罗河的一个弯曲处，设计者在这里探索着“地区意识”这一概念。设计者希望在这块区域将自身抬高，创作出一个可以在La Rioja边界之外看到的地标。“那里有什么东西”——这是一个场地的召唤，人们看到，注意到，成为我们所说的景观的一部分。

Strolling through the countryside of La Rioja gives us an awareness of the territory and time and again reminds of the place in which we find ourselves. The possibility of looking to the horizon across its rolling plains, meeting the sierra in the distance, gives walkers the pleasure of looking at a long and broad landscape. Viña Lanciano, located at a bend in the River Ebro, offers us the opportunity to explore this idea of the consciousness of the territory. We wanted to elevate ourselves in this terrain, create a landmark that will be visible well beyond the borders of La Rioja. The call of a place, a “there’s something there” – that’s what we look at, we notice, and is part of what we call the landscape.

▼装置放置在广袤的乡村，人们能够意识到大地与时间；the installation is place in the broad country side, reminding people of the territory and the time

▼从葡萄园望向装置，looking at the installation from the vineyards

红线形成一个网，标志着竖向的厚度，顶部是一片模糊的“云”，就像沿着河流的树木，随风摇摆。La Rioja的风景不仅仅是大地。纹理和韵律也是其中的一部分。葡萄园外围的边栏形成线条，包围着我们，在道路两旁形成了一道葱绿的墙，或是一排排小路，人们休闲地走在上面，感知着绿墙背后的东西。

A web of red lines mark a vertical thickness, crowned by an ambiguous cloud, which, just like the mass of trees along the river, sways with the wind. The landscape of La Rioja is not only territory. It is also textures and rhythms. The lines marked by the vineyards surround us, creating a verdant wall on both sides of the road, or generating a series of rows that we can walk through, go at a leisurely pace perceiving what lies behind.

▼红线形成一个网，标志着竖向的厚度；a web of red lines mark a vertical thickness

▼其顶部是一片模糊的“云”，就像沿着河流的树木，随风摇摆； it is crowned by an ambiguous cloud, which, just like the mass of trees along the river, sways with the wind

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