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废品分类中心所处的城市区域因占据了其街区大量面积的市场、屠宰场、飞机库、加油站与停车场等工业功能而受到了不少关注。在过去的三十年中，工业活动的衰落与迁移推动了这片城市街区的更新，而诸如来自屈米的拥有26个红色构筑物的拉维莱特公园、Christian de Portzamparc设计的音乐城以及不久前让·努维尔设计华丽精巧的巴黎爱乐厅等不少在其时看来胆大妄为的建筑皆落户于此。

The waste sorting center is located in a part of a town recently refocused on industry with its utilitarian programs of covered markets, slaughterhouses, hangars, gas stations and car parks. The decline of these activities and their relocation over the past thirty years has promoted the renewal of the neighborhood which witnessed the arrival of some of the most daring architectural projects of their time including the Parc de la Villette by Bernard Tschumi and its 26 architectural follies, the Cité de la Musique by Christian de Portzamparc and more recently the extravagant Philharmonie de Paris by Jean Nouvel.

▼环路下方的废品分类中心，The waste sorting center beneath the ring-road

项目位于一个已改造的环岛处，环路上抬形成桥梁，四车道宽的两侧道路十字相交，电车垂直于环路方向呼啸而过，而道路的下方还隐藏着车行隧道。这片被包围的场地在各种交通流线的交汇处占据了极为重要的位置，不仅视野良好，而且极为方便到达。而为了与其环境相协调，在传统意义上让人唯恐避之不及的废品分类中心被设计成了一个正如其街区内其他建筑一般大胆却而又极富魅力的新空间。占地1400平米的精巧体量被交织的道路环绕，恍如盒子中的一颗明珠。

Located at an old roundabout that was restructured to allow the tramway to pass through, the site is surrounded by several road infrastructures: the ring-road above, a tunnel beneath and four lanes of traffic on either side. In reality the fact it is in an enclave lends it a strategic position at the center of many flows, benefiting from very good visibility and enjoying excellent services. To fit into this area, the waste sorting center, which is by definition an unattractive concern, becomes in a way an object of curiosity, as with the neighboring architecture. With an area of 1,400 m2, its immaculate volume emerges from this interlacing of roads, like a pearl in a case of tarmac.

▼被道路所环绕的废品回收中心，The site is surrounded by several road infrastructures

白色砖块砌筑而成的围墙蔓延35至40余米，划出一道道微微外扬的弧线，分隔了废品分类中心与外部环境。洁白而轻盈的体量让过往的行人不禁好奇靠近，似乎鼓励着他们带上自己家中的废品前来分类处理，同时也建立起巴黎与其外围环路，行人与交通的联系，赋予了公共设施另一层魅力。

The waste sorting center protects itself from the surroundings with an enclosure of white bricks whose curved walls stretch for 35 to 40 meters. These walls have been established so as to attract the attention of casual passers by and thereby encourage them to bring their garbage there too, whilst also creating a link between Paris and the outside of the ring-road, between pedestrians and traffic, allying utility and allure.

▼围墙形成微微外扬的弧线，An enclosure of white bricks whose curved walls

通透的瓷质砖块泛着微光，仿佛在车水马龙的环路下方形成了一条流动的银河，这个极为受限的小小项目在满足了其基本功能的同时，成为了一个名副其实的小小宝藏，让昨日的废弃之物成为了明天的可用资源。

The underside of the ring-road becomes a flowing milky way and this limited resources little project which was aimed at sublimating its initial function is in fact a little treasure. Yesterday’s waste after all is the resource of tomorrow.

▼通透的瓷质砖块泛着微光，The underside of the ring-road becomes a flowing milky way

坚固而轻盈 Resistance and lightness

废品回收中心的围墙坚固十足，减轻了飞速行驶的车流对内部空间的影响，却又轻盈通透，降低了对来往行人的压迫感。白色的瓷质砖块错落而立，在立面上形成了交错的纹理。3.3米高的墙体将一切干扰都隔绝在外，但同时玻璃砖又丝毫不会阻挡光线与人们好奇的视线。白天不断变化的太阳光线与夜晚车流明亮的灯光经过反射与折射，焕发出明灭而千变万化的光影效果，也让墙体与城市环境产生了呼应关系。在内，混凝土与镀锌钢板打造的空间容纳着大量的处理与分类设备。而绘于地面的标示则引导着公众、工作人员与车辆各行其道。

The enclosure of the waste sorting center is both robust and light, to confront the infrastructures surrounding it and to please the passing pedestrian. It consists of a set of white ceramic bricks, some of which are detached from the wall in a staggered pattern. Coupled with a height of 3m30, this layout prevents any degradation while allowing the light and the eyes of the curious to filter through the glass bricks cast in the mass. The urban environment is reflected on this moving skin which vibrates with the light of day or with the headlights of vehicles zipping by. Inside, the concrete and galvanized steel spaces are what support the overwhelming load of the device. Signs on the ground guide the public, employees and vehicles to where they need to go.

▼ 坚固而轻盈围墙，The enclosure is both robust and light

废品的二次生命 Garbage gets a second life

如今，为循环、回收、再利用与升级改造而存在的回收仓库遍布法国各地，这也意味着废品的二次利用已成为人们生活的一部分。而为了保障每一位市民的经济与生态利益，废品分类中心将免费向公众开放，并包括以下设施：

_开放空间：人们从高处平台将废品丢入下方平台处的3.5×7米的箕斗中
_包括厨房与卫生间的封闭式员工办公空间
_分别用于放置危险性废弃物、家用电器与可再利用丢弃物的空间
_城市商用车辆的清洗处

At a time when recycling depots are flourishing all over France as the movement of recycling, recovery, reuse and upcycling means the question of offering a second life to our waste has become central. To ensure everyone’s economic and ecological interests, the waste sorting center offers free access to the general public and consists of:

_open spaces: a low platform for skips of 3m50 x 7m and a high platform from which to throw waste,
_a closed room for employees with a fully equipped kitchenette and toilets,
_three open spaces for hazardous waste, household appliances and re-use,
_an area where the city fleet can be cleaned.

▼ 入口，Entrance

▼ 开放空间，The open spaces

▼员工办公空间，Closed room for employees

▼ 轴测模型，Axonometric model

▼ 剖视图，Sectional view

▼ 内部空间，Interior space

▼ 总平面图，Master plan

▼ 平面图，Plan

▼ 剖面图，Section

▼ 立面砖块砌筑，Facade design

Program: A waste spring center including waste dumps, three locals, a room for employees and a washing area for the vehicles of the city of paris
Localisation: Porte de Pantin, Pris 19
Area: 1400m2
Budget: 1.45 M Euro HT
Completed: May 2016
Client: City of Paris
Architect: DATA
TEAM: Leonard Lassagne, Colin Reynier, Sylvia Bourgeon, David Lelong, Laure Veyre De Soras
Consultants: Betci, Studio Joran Briand, CSD Ingenieurs

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