来自 Francesc Rifé Studio 对gooood的分享。更多关于他们：Francesc Rifé Studio on gooood
Appreciation towards Francesc Rifé Studio for providing the following description:

Francesc Rifé与厨师Ricard Camarena的最近一次合作可追溯到1930年代的工业语境下。本项目的发起人Per amor a l’art基金会发现了原本要对餐厅进行合并的Bombas Gens工厂，并将其改造为一座艺术中心。对于设计师来说，本项目的挑战不仅在于建筑既有的art deco美学，更在于建筑师在其设计中留下的难题：在“非空间”里制造空间。

The latest collaboration of Francesc Rifé with chef Ricard Camarena is set in an industrial context of the 1930s. The former Bombas Gens factory that will integrate the restaurant has been rediscovered and converted into a centre of art by the foundation Per amor a l’art, promoter of the project. A challenge for the studio not only because of its aesthetic art deco but because the architecture presented some challenges of design: create a space from the non-space.

▼餐厅外观，an external view of the restaurant

原本多余出来的空间意外地变成了新的餐厅，有着极为基本的结构。用餐空间被分为两个主要部分：可以难得地看见工厂墙壁之一的一片三角形区域，以及位于五个翻新过的顶棚下方的吧台。

Paradoxically a residual area becomes the new restaurant, where the form is absolutely essential. Divided into two main territories, the dining room occupies a triangular surface providing a valuable perspective of one of the walls of the factory, while the bar is housed under one of the five refurbished sheds.

▼入口空间，the entrance space

▼细部，detail

在第一个区域中，按照对形状、颜色和纹理的适当整合，设计师为整个空间设计了第二层“皮肤”，将空间中的不同位面统一起来。这层“皮肤”由美洲胡桃木制成，与米色的砖墙形成对比。木材与混凝土地面的并置使建筑内部在视觉上更加柔和，同时令人回想起建筑的工业历史，使其成为名副其实的米其林餐厅。

In the first, in search of a meaningful integration of shape, color and texture, a second skin is designed to cover the entire space integrating the different planes of the room. The wrap is expressed in American walnut wood that contrasts with the beige color of the brick. This juxtaposition of textures in contrast with concrete pavement visually softens the project and at the same time reminds the industrial past of the premises, giving it a category Michelin entity.

▼胡桃木表皮与砖墙形成对比，the wrap is expressed in American walnut wood that contrasts with the beige color of the brick

形式不一的栅格主要运用了水平和垂直的构件元素。建筑师根据其想要强调的事物，如展示厨房及裸露的砖墙等，来安排这些构件的位置。此外，栅格不仅具有吸声性，还会因为视角的不同而形成一种不透明的错觉。

The lattice, using different formats, is made up of vertical and horizontal elements, the last ones placed in second term. The arrangement of these elements varies according to what we want to highlight, either the show kitchen or the exposed brick. In addition, is sound absorbing, and depending on the point of view creates an optical illusion that is completely opaque.

▼栅格带来不同视觉体验，the lattice creates different visual effects

作为过渡空间的入口处装饰着由10张照片组成的艺术作品，形成一条通往餐厅内部的关键路径，在创造艺术氛围的同时也将我们带入美食的旅程。在入口的另一边，随着在桌椅间的移动，设计师发现了能够使餐厅得到扩展的空间，它通向一处能够为整个室内带来自然光照的露台。白天，餐厅与周围建筑间的纵向开口使自然光径直射入室内，夜晚则利用间接照明带来相似的效果。

The entrance, as a transitional space, hosts a composition of 10 pictures that transforms what could be a narrow passage to the restaurant in a key player that beside placing us in the artistic environment, accompanies us on our culinary journey. Beyond the entrance we discover the magnitude of the room in which the restaurant expands as we move between tables, up to a terrace that floods with natural light the whole space. During the day, a longitudinal opening, created to separate the restaurant of the adjacent building, allows the entrance of natural light, zenith and linearly, overnight we simulate the same effect through indirect light.

▼就餐区入口，entrance to the dining area

▼白天自然光从上方开口泻入，during the day, a longitudinal opening allows the entrance of natural light

胡桃木天花板中的照明系统是专为该项目打造，它隐藏在天花板内部，能够依据需要为直径为110cm至160cm的餐桌提供照明。为了支持这项特殊照明，一些装饰性的灯具被移至空间的边缘位置。

Walnut wood ceiling is achievable and includes a lighting system created specifically for the project. It is an optical illumination hidden in the ceiling that allows to light tables of 110 and 160 cm in diameter depending on the needs. As support for this technical lighting several decorative luminaries have been placed along the room.

▼天花板中的照明系统转为该项目打造，the lighting system is created specifically for the project

另外一个挑战在于厨房位置的确定，其规模较大，因此需要一个足够合理的布局。为找到平衡点，厨房被安置在一处台阶式的空间，酒窖也同样位于此处，与场地共同进行了扩大。

Another challenge for the studio has been the location of the kitchen, which, due to its large size, needed a strategic location. To find the balance it has been located on a stepped volume in which also the winery sits and accompanies to the enlargement of the area.

▼厨房，kitchen

▼楼梯间，stair well

酒吧是一个被修复的结构，最高处达到8米。裸露的砖墙和木制围墙被保护起来，用作餐前等待区域或预留区，可容纳约25人。洗手池、餐桌间的分隔物、酒吧立面及其内衬结构均由建筑师设计，运用了Stonehegen公司设计的Pietra Grey石材。餐厅的设计呼应了Ricard Camarena的美食理念：纯粹，看上去并不复杂，却传递着无限的感官体验。易于解读的空间往往是众多惊喜所在。

The bar is a restored structure with a maximum height up to 8 meters. Exposed brick and melis wood enclosures have been preserved in this area, used as waiting space, aperitif and even reserved area for about 25 people. Basins, the divider elements between tables, the front of the bar and part of the lining of the latter, have been designed by the studio with natural stone Pietra Grey by Stonehegen. The design of the restaurant is in equilibrium with the gastronomic offer of Ricard Camarena: a pure kitchen, which visually seems bit complicated but transmitting an infinite number of sensations. A space easy to read that it hides many surprises.

▼等候区域和酒吧，waiting space and the bar

▼酒吧细部，detail of the bar

▼等候区域，a waiting space

▼洗手间，restroom

▼平面图，plan

Furniture: Marset, &Tradition, Santa &Cole, Kendo, Louis Poulsen,
Gloster, KP, JMM, Cármenes, Point, B&V
Photos: David Zarzoso
Ground floor: 640 m2
Basement: 140 m2

More: Francesc Rifé Studio ，更多关于他们：Francesc Rifé Studio on gooood

Project Specs

Francesc Rifé Studio

Recommended Jobs Submit a JobAll Jobs »

Latest Jobs Submit a JobAll Jobs »

Post a Comment

Social Login

Reconstruction of the Spiritual Home: the Design of a Resettlement Primary School By Zhejiang University STI Studio

B5 Boulogne by Antonini Darmon Office

TOILETOWA by Tono Mirai architects

Latest ProjectsAll Projects »

Recommended Jobs Submit a Job All Jobs »

Latest Jobs Submit a Job All Jobs »