Caio Reisewitz's research has photography as its main support. Through technical refinement, his compositions show a particular interest in human action and its social and political effects, whether in natural or in architectural space. While his photographic technique works on the relation between light and shadow (or even the homogenization of them), shapes, colours and textures, his artistic poetics builds a repertoire that can both put us in the face of human harshness or plastic poetry of urban and natural environment. Reisewitz's works often place us in a dichotomous dialogue between the real (that characteristic of the photographic record) and the illusory (our own repertoires).
