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该项目的都市设计概念是要恢复因为历史缘由而导致荒芜、干旱和无人居住的绿地。这些空间更新措施使卡门教堂和美术馆等历史建筑与复兴风格的现代建筑（如宇宙宫或覆盖着红色柚木的政府公共建筑）衔接起来。

The project’s urban design concept is to restore a green space to the city that due to historical circumstances ended up in abandonment, aridity and uninhabitability. Said replacement will now make it possible to articulate historic buildings such as the Church of Carmen or the old Museum of Fine Arts, with contemporary constructions in a revival style or themed but well integrated such as the Cosmovitral or the government public buildings covered in red tezontle.

▼项目鸟瞰，project birdview© Jaime Navarro

▼公园附近环境，surroundings © Jaime Navarro

▼公园附近的卡门教堂，the carmen church near the park © Jaime Navarro

▼公园附近的美术馆，the fine arts museum near the park © Jaime Navarro

为了符合场地在水平面空间整合的前提条件，设计师决定利用由于拆迁原停车场（结构受损）造成的场地不平，并且利用这一条件，掩埋该项目拆除的建筑废料。

In order to comply with the premise of spatial integration in the horizontal plane, it has been decided to take advantage of the unevenness resulting from the demolition of the current parking lot (damaged in its structural integrity) and take advantage of this condition to bury the buildings imposed by the program.

▼将废弃停车场转化为公园，transform the abandoned park into the park © Jaime Navarro

因此，建筑师萌生了将中央花园埋入地下并与外部隔绝的想法，从而形成了一个巨大的花园庭院，呈长方形，基本上是古典式的，从几何角度看将占据约一半的土地。

This is how the idea of burying the central garden and isolating it from the outside was born, forming a huge garden patio, rectangular and essentially classical, which geometrically will occupy approximately half of the land.

▼下沉花园，sunken park © Jaime Navarro

这一决定使项目中的建筑得以隐藏，使其更多地成为景观而非建筑元素。另一方面，这一策略在人行道上形成两条 Alamedas（传统的树木排列方式，在城市中形成一条人行道），一条主要排列在 Sebastián Lerdo de Tejada 上，另一条排列在 Santos Degollado 上。两条街道都种满了常绿橡树因而在未来会变成百年树木。

This decision allows the buildings of the program to be hidden, turning them into more landscape than architectural elements. On the other hand, this strategy allows at the sidewalk level to form two Alamedas (traditional alignment of trees to form a walkway within the city) a main one aligned on Sebastián Lerdo de Tejada and another on Santos Degollado. Both will be formed with evergreen oaks so that in the future they will become centenary trees.

▼两旁种满树木，planted trees along the Alamedas© Jaime Navarro

所有橡树都将种植在植被土壤上，而不是屋顶上。在城市关系方面，设计通过创建两个独立的通道来强调东西轴线；在西面，在Primo de Verdad上，设置了一个之字形坡道，邀请游客以一种悠闲和诗意的方式慢慢探索花园，因为它也是Ferdinand Bac风格的嗅觉花园。在东端，设计了一个纪念性的楼梯，强调了都市空间的公共重要性，这里还有一个美丽的Liquidámbares丛林园。Las Alamedas 不但没有改变该方向的人行道，反而使其更加庄重，让人感觉清新惬意。

All the oaks will be planted on banks of vegetal soil and not on roofs. In terms of its urban relations, it has been decided to emphasize the east-west axiality by creating two independent accesses; To the west, on Primo de Verdad, a zigzag ramp has been placed that invites you to slowly discover the garden, in a leisurely and poetic way, thanks to the fact that it is also a smelling garden in the style of Ferdinand Bac. At the eastern end, a monumental staircase has been designed that emphasizes the public importance of the Cosmovitral, which also has a beautiful grove of Liquidámbares. Las Alamedas allow the pedestrian traffic in that direction not to be modified but, on the contrary, they dignify it and turn it into a fresh and relaxing experience.

▼公园内的水景，the waterscape in the park© Jaime Navarro

▼夜景，night view © Jaime Navarro

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Victor Marquez arquitectos

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