“这是一份精心构思和记录的报考，是对故事、真相和口述历史之中的非凡力量的证明，是景观建筑领域的重要资源。《种族与空间》报告令人印象深刻，令人感动，报告中突出了与非洲裔美国人、西班牙裔美国人和土著人民有关的13处受到威胁的文化景观。无论是旨在修复过去的伤害还是恢复司法的公平性，陪审团对于这种为被改变或抹去的美国文化以及历史意义正名的行为表示赞赏。提交的文件中记述了多处鲜为人知的文化景观地点。本报告堪称一本精心编制的故事本，也是一次感人的、对于文化相关空间的声音汇编，这些记录揭露了不公正现象，并呼吁人们开启个性化的行动。”
– 2023年评审委员会

“A testament to the remarkable power of stories, truth-telling, and oral history, this report is exquisitely conceived and documented, serving as an essential resource for the field of landscape architecture. The Race and Space report is impressive and moving, highlighting 13 threatened cultural landscapes associated with African Americans, Hispanic Americans, and Native peoples. Whether addressing repairing past harm or restorative justice, the jury appreciates the acknowledgment of recognizing the historical and cultural significance of American cultures that have been altered or erased. The submission provides digital access to places most have no knowledge of. It is a well-put-together catalog of stories and culturally relevant spaces—a moving compilation of voices that shine a light on injustices and present individualized calls to action.”
– 2023 Awards Jury

来自 ASLA 对gooood的分享。
Landslide: Race and Space ｜ The Cultural Landscape Foundation

项目陈述
PROJECT STATEMENT

《Landslide：种族与空间》是一次专题数字报告和展览，内容涉及了13处与非洲裔美国人、西班牙裔美国人和土著人民有关的受威胁景观。报告形式包括：详细介绍美国种族与空间之间的历史关系；展示每个地点的历史图片；揭示这些空间共同面对的不平等和威胁，并将其定义为整个展览的“贯穿线”；以及提出个性化的保护性行动。数字展览还包括丰富的视频采访（每个视频时长为2-5分钟），采访对象包括景观设计师、历史学家、设计师，以及相关人士，他们对报考中的“贯穿线”提供了令人信服的个人观点，并将每个地点的历史/意义带入生活。这份时间敏感的报告是于2021年期间仅用了三个月的时间完成的。

Landslide: Race and Space is a thematic digital report and exhibition about 13 threatened landscapes associated with African Americans, Hispanic Americans, and Native peoples. It includes an introduction detailing the historic relationship between race and space in America, an illustrated history of each site, common inequities and threats, defined as “throughlines,” and individualized calls to action. The digital exhibition also includes richly produced video interviews (2-5 minutes each) with landscape architects, historians, designers, and kin-keepers who offer compelling personal perspectives on the “throughlines” and bring to life each site’s history/significance. This time-sensitive report was produced in only three months in 2021.

▲“网站登陆页”：《Landslide: 种族与空间》网站。登陆页面显示《Landslide》中记录的景观地点全景，以及简要介绍。导航连接位于页面顶部，“Website landing page”: Landslide: Race and Space website. Landing page shows image of Landslide site Wink’s Panorama in CO and brief introduction. Navigational links at top. © TCLF

项目说明
PROJECT NARRATIVE

目的：《Landslide：种族与空间》报告和展览突出了与非裔美国人、西班牙裔美国人和土著人民有关的13处受到威胁的美国文化景观。这些空间中的历史/文化意义没有得到全国的认可，甚至有些已被修改或抹去。

《Landslide》报告中详细介绍了美国种族和空间之间的历史关系，说明了现场历史，并列举了常见的不平等/威胁行为，并将这种不平等定义为整个展览“贯穿线”，同时了提出了个性化的改善行动。景观设计师、历史学家、相关人员的简短视频访谈也提供了令人信服的“贯穿线”视角，揭示了每个遗址的历史和意义。

观众：景观设计师、学生、历史学家、非洲裔和西班牙裔美国人、移民社区、原住民、妇女历史和城市研究人员、场地管理人员、政策制定者，以及广大公众。

信息：《Landslide》中记录的遗址揭示了当地的故事和全球性的主题，揭示了定居和搬迁、奴隶制和种族歧视、城市更新和环境不公如何塑造了这片土地，并继续影响着当地的文化生活方式和自然资源。

每个景观点都有着4个关键性的共同点，或是与展览“贯穿线”紧密相关：
[1]“空间怀旧”，指的是那些不再拥有有形历史证据的文化景观;
[2]“抹除”，作为建立和推进一种文化对另一种文化的主导地位的工具;
[3]“扩大社区的声音”，要求公众更多地参与塑造我们的社会;
[4]“重新定义完整性”，将内政部长对历史遗址的意义的有限定义，重新扩展为“一项财产能够传达其意义的能力”。

在19世纪，弗吉尼亚州里士满的Shockoe Hill非洲人墓地是美国最大的自由和被奴役的有色人种墓地，有超过22,000个埋葬点。它遭受了一个多世纪的滥用和刻意隐瞒，而现在，连接里士满和华盛顿特区的高速铁路又很有可能会穿过遗址的残余部分。在报告中，这处遗址的条目下包含了一段5分钟的视频，由倡导者Lenora McQueen解说，她的第四曾祖母Kitty Cary是1857年被埋葬在Shockoe Hill的一名奴隶妇女。四条展览“贯穿线”直指Shockoe Hill，汇聚于此。

影响和有效性：《Landslide》将是一次持续的，全面的战略媒体活动，活动情况将陆续于如《纽约时报》、《华盛顿邮报》的美国各大媒体，与当地相关的各本地新闻，以及《建筑师报》、《景观建筑》等行业出版物中进行相关报道。

《Landslide》引起的兴趣导致了一系列由景观设计师以及其他相关人士主持的、免费在线种族和空间对话，每场活动都会吸引500多名虚拟与会者。该报告还引发了TCLF的一场专门的宣传活动，导致Shockoe Hill于2022年7月被列入国家史迹名录。

传播：这种全面的，持续的战略媒体策略具有显著的影响性和有效性，包括bi-weekly e-newsletters以及精准的电子邮件触达了超过31,000位收件人，TCLF的YouTube频道，以及景观建筑杂志广告等等。

▲“介绍”：“介绍”页面局部，包括Walter Hood, FASLA和April de Simone关于两条“贯穿线”的嵌入式视频，“Introduction”: Part of the “Introduction” page including embedded videos with Walter Hood, FASLA, and April de Simone about two of the “Throughlines.” © TCLF

▲“网站的登陆页面；包含每处站点的导航链接”：登陆页面显示13个记录站点，每张图片都指向不同景观站点的超链接，“Landing page for sites; includes hotlinks to each site”: Landing page showing the thirteen Landslide sites; each image is a hotlink to the respective Landslide site. © TCLF

▲“贯穿线”：登陆页描述了四条“贯穿线”：“空间怀旧”、“擦除”、“扩大社区声音”和“重新定义完整性”，“Throughlines”: Landing page with descriptions of the four “throughlines”: “spatial nostalgia,” “erasure,” “amplifying community voices,” and “redefining integrity.” © TCLF

▲“‘Landslide 对话’登录页面”：“Landslide 对话”登录页面上是Walter Hood，April de Simone，Kofi Boone，以及Linda Tarrant-Reid的采访视频，“Landing page for ‘Landslide Conversations’”: Landing page for Landslide Conversations interviews with Walter Hood, April de Simone, Kofi Boone, and Linda Tarrant-Reid. © TCLF

▲“Gloria Smith关于Dabney Hill自由殖民地的6个采访视频截图”，在采访中，她讨论了自己与德克萨斯州伯勒森县Dabney Hill 自由殖民地之间的联系，“Six screen grabs from video interview with Gloria Smith about the Dabney Hill Freedom Colony”: Six screen grabs from a video interview with Gloria Smith who discusses her connection with the Dabney Hill Freedom Colony in Burleson County, TX. © TCLF

▲“Lenora McQueen关于Shockoe Hill非洲人墓地的6个采访视频截图”，在采访中，她讨论了自己与弗吉尼亚州里士满Dabney Hill 自由殖民地之间的联系，“Six screen grabs from video interview with Lenora McQueen about the Shockoe Hill African Burying Ground”: Six screen grabs from a video interview with Lenora McQueen who discusses her connection with the Shockoe Hill African Burying Ground in Richmond, VA. © TCLF

▲“Candace Henry关于Water’s Edge的6个采访视频截图”，Candace Henry是马里兰州牛津市水边博物馆的馆长。“Six screen grabs from video interview with Candace Henry about Water’s Edge”: Six screen grabs from a video interview with Candace Henry, director of the Water’s Edge Museum in Oxford, MD. © TCLF

▲里士满Shockoe Hill非洲人墓地登陆页面，“Shockoe Hill African Burying Ground landing page”: Landing page for the Landslide entry for the Shockoe Hill African Burying Ground in Richmond, VA. © TCLF

▲弗吉尼亚州里士满Shockoe Hill非洲人墓地历史介绍页面，“Shockoe Hill African Burying Ground History pages”: “History” pages from the Landslide entry for the Shockoe Hill African Burying Ground in Richmond, VA. © TCLF

▲弗吉尼亚州里士满Shockoe Hill非洲人墓地面临的威胁，以及“你能带来什么帮助”页面，“Shockoe Hill African Burying Ground Threat and What You Can Do to Help pages”: “Threat” and “What You Can Do to Help” pages from the Landslide entry for the Shockoe Hill African Burying Ground in Richmond, VA. © TCLF

▲“《Landslide》全国报道以及各特色站点”：选取全国及地方媒体对《Landslide：种族与空间》活动以及各个特色站点进行跟踪报道，“National coverage of Landslide report and featured sites”: Selection of national and local media coverage of Landslide: Race and Space and featured sites. © TCLF

▲肯塔基州路易斯维尔市Chicaksaw公园登陆页面，“Chicaksaw Park landing page”: Landing page for Landslide entry for Chickasaw Park in Louisville, KY. © TCLF

▲肯塔基州路易斯维尔市Chicaksaw公园历史介绍页面，“Chickasaw Park history pages”: “History” pages from the Landslide entry for Chickasaw Park in Louisville, KY. © TCLF

▲肯塔基州路易斯维尔市Chicaksaw公园面临的威胁，以及“你能带来什么帮助”页面，“Chicksasaw Park Threat and What You Can Do to Help pages”: “Threat” and “What You Can Do to Help” pages from the Landslide entry for Chickasaw Park in Louisville, KY. © TCLF

▲“《种族与空间》对话小组成员”：在90分钟的虚拟活动中，景观设计师和其他专家对空间不平等议题进行了探讨与思考，“Race and Space Conversations panelists”: Race and Space Conversations panelists; the 90-minute virtual events feature landscape architects and other experts reckoning with spatial inequities. © TCLF

PROJECT NARRATIVE

Purpose: The Landslide: Race and Space report and exhibition highlights 13 threatened US cultural landscapes associated with African Americans, Hispanic Americans, and Native peoples. The majority are not nationally recognized for their historical/cultural significance; some have been altered or erased.

Landslide includes an introduction detailing the historic relationship between race and space in the US, illustrated site histories, common inequities/threats, defined as “throughlines,” and individualized calls to action. Short video interviews with landscape architects, historians, kin-keepers, etc. also offer compelling perspectives on the “throughlines,” revealing each site’s history and significance.

Audience: Landscape architects, students, historians, African- and Hispanic Americans, immigrant communities, Native peoples, women’s history and urban studies, site stewards, policy makers, and the public.

Messages: The Landslide sites reveal local stories and global themes, shedding light on how settlement and removal, slavery and Jim Crow, urban renewal, and environmental injustice have shaped the land and continue to impact cultural lifeways and natural resources.

Critical to the examination of each site are 4 shared commonalities or “throughlines”:

[1] “spatial nostalgia,” for those cultural landscapes that no longer possess physical/tangible evidence of the past;
[2] “erasure,” as a tool for establishing and advancing the dominance of one culture over another;
[3] “amplifying community voices,” calls for greater public participation in shaping our society;
[4] “redefining integrity,” historic site designations informed by the Secretary of the Interior’s limited definition of integrity as “the ability of a property to convey its significance.”

One featured site, Richmond, VA’s Shockoe Hill African Burying Ground was, in the 19th century, the nation’s largest burial site for free and enslaved people of color, with over 22,000 interments. It has suffered more than a century of abuse and erasure. Now high-speed rail linking Richmond and Washington, DC could go through remnants of the site. The site entry includes a 5-minute video narrated by advocate Lenora McQueen whose fourth great grandmother, Kitty Cary, was an enslaved woman buried at Shockoe in 1857. All 4 throughlines are present at Shockoe.

Impact & effectiveness: Landslide was the focus of a sustained, comprehensive strategic media campaign that yielded national coverage (e.g. the New York Times, Washington Post); local/regional coverage associated with specific sites; industry publications (feature stories in Architect’s Newspaper, Landscape Architecture, etc.).

The interest generated by Landslide led to the creation of a series of free, online Race and Space Conversations, featuring landscape architects and others, that attract more than 500 virtual attendees per event. The report also led to a dedicated advocacy campaign by TCLF resulting in Shockoe Hill’s listing in the National Register of Historic Places in July 2022.

Distribution: A comprehensive, sustained strategic media strategy (see impact & effectiveness), inclusion in bi-weekly e-newsletters and dedicated e-blasts reach more than 31,000 recipients, TCLF’s YouTube channel, Landscape Architecture Magazine ad, and more.

More: ASLA；The Cultural Landscape Foundation

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